Bob Odenkirk (FULL EPISODE) | Conan O'Brien Needs A Friend

[Music]. Hi, my name is Bob Odenkirk and I feel. chocolate chip about being Conan. O'Brien's friend. [Music]. Hey there. Welcome to Conan O'Brien. needs a friend. Slightly different. situation today. I am in New York City. I made up a name for it. I call it the. big apple. Um just came up with it. yesterday. Uh, and I'm sitting here with.

uh, David Hopping. How are you, David? >> I'm good. >> David, of course, grew up in a. cornfield. >> Uh, completely unfamiliar with the city. >> Um, but it's overwhelming for you. He. keeps looking up at the skyscrapers, clutching his cardboard suitcase and. saying, "Gagar, >> how did they build them? >> They're so tall.". >> Yeah. Um, anyway, he said they're like. silos with windows. And I said, "Just. take it easy, David. You'll get used to. it." And uh this is nice. We have a. connection back to LA with uh my.

perpetual chum for life, my ride or die. buddy. Hell yeah. >> Sona obsession. No gory today because. she's off at a um I think what is he. doing? He's at a Oh, a it's like a. festival where everyone just looks at. their old 45s. Is that what he's doing? >> Wait, is he is he at like the. Renaissance fair? No. Where is he? What. do you mean he's at a fair? Is he at a. fair? >> Are you I'm sorry. You're probably new. to me. And I made something up Sona just. to have fun. >> Sorry. I thought like I know you're new. to this. >> I thought, "Oh my god, did he miss work.

cuz he's at the restaurant?". >> You know what I'd love to do? I'd love. to do improvisation with Sona Obsessian. like, "Hey, welcome to my ice cream. shop." Wait a minute. This is an ice. cream shop. I thought we were on a. stage. >> Curtain comes down. Boo boo. Conan was. good, but who was that lady? >> No. They'll be like, "Oh, she just. redefined improv, you know.". >> Yes. Yeah. >> Possible you could be the Oenheimer of. improv. Oh god. >> Just say like, "What are you talking. about? This is not No, we're on a stage. This is not an ice cream shop." Yeah.

Audience, she just blew through my mind, man. >> Or I could say like, "Can you list all. the flavors for me?" And then it just. derails the whole sketch cuz you're just. like, "Strawberry, vanilla, chocolate, rocky road. >> Hey, you're good at this. Rainbow sugar. You're a good improviser. >> Uh, I'm now I'm out. Okay. Uh, mint. chocolate chips, pistachio, hazelnut, coffee. Uh, coffee with chocolate chip. >> David has one. Corn corn flavor. Um, that good one, David.

>> Was that your Was that your impression. of. >> corn flavor? >> I like corn flavor. I'm going to go see. the Broadway show Smash. >> I did. I went last night. >> Yeah. Was it much like the TV show? >> It was. Yeah. >> Okay. There's so much he's not saying. >> Um, anyway, what's that, Sona? Do I work. out? Yes, I work out. >> Oh, I didn't ask that. You did. Are you. working out when you do you work out? Like do you go to the gym when you're on. the road? >> I've been too busy. There's been a lot. to do and so that my schedule gets.

thrown off. >> Well, it feels like you could squeeze in. like a half hour of working out if you. really were serious about it. What? >> What? >> Kind of hard to do. What's that? What's. that? >> What's that? >> You're right. I got to I got to get to. the gym. I got to get to the gym. People. when they meet me on the street, they. expect me to be jacked. >> Um. uh Sona, we got a big show today. Big. show. We got a really big shoe. Remember. Ed Sullivan? >> No. >> Okay. Can we put crickets in? >> Oh, wait. Sorry. We're improving. Yeah. I remember when I used to watch Ed.

Sullivan as a kid and we had a big shoe. I remember that. >> Yeah. >> There you go. >> Good improv. Remember the time you and. Ed Sullivan went to that ice cream. parlor and you got strawberry, vanilla, coconut, pistachio, hazelnut, creme to. caramel, Oreo crunch, vanilla flipple, sab dab, jaba dab, >> flipple. Okay, Sandler came in. >> You suck at improv. >> What's that? Greatest man who ever. lived. >> Oh, no. I said I said you suck at. improv. You're welcome. What? I can give. you notes. I'll give you notes. It's all.

right. You know what? You should be my. guest today. >> What? >> What's that? my guest today. You're the worst. Why are we You know. what I love? Whoever invented the. technology that allowed us to talk in. real time to someone in Los Angeles, it. leads to this. They think, "Oh, this. will be amazing. People will be doing. surgeries from across the coast." No. Two idiots. Two idiots are going to be. talking over each other. What's that? Huh? What's that? I know you are, but. what am I? I'm rubber. You're glue. Um,

my guest today is a writer and actor who. stars in the new movie Nobody Too. Uh, he is a very old friend of mine and it's. really meaningful that I get to talk to. him today. Thrilled he's with us. Bob. Odenkirk. Welcome. I'm here in New York. I went last night. to see uh your guys production of. Glengarry, Glenn Ross. Blown away. really fantastic. Michael McKeen is in.

it with you, Bill Burr. Who are we. talking about here? >> Oh, Kieran Kieran of course Jun Howard. over. >> I mean really. >> and John Purichell. >> It is just a spectacular cast and I mean. all of you were great. It was it was. really special for me because to anyone. who doesn't know listening to this, Bob. and I met in 1988 when I first came to. Saturday Night Live. And immediately we. realized you and I have a weird twin.

language. We're two complete leftbrain. weirdos who are cartoonish and silly. And so Bob and I would just hide in an. office and talk gibberish to each other. Oh, see that was what that's why I. called your producer about today. I was. like, what does he want to talk about? >> I know. No, no. Well, I want to get to a. bunch of things you're doing. >> I thought this would just be gibberish. >> And and I have a weird thing. I I've had. so much fun doing podcasts with friends,

David Cross's podcast and things and and. letting it devolve into gibberish, >> right? >> But there's something weird, Conan, I've. been feeling about like not wanting to. do that. >> Yeah. in public anymore. >> Yeah. Well, it's called you don't want. to be uh medicated by the state. You. know, you don't want to be taken away. And I understand that. Um completely. But you know what it you know what it. triggered for me last night in a nice. way was you and I had this. >> um we just loved being weird together.

and we had all these adventures. We were. just talking about when we were in the. show Happy Happy Good Show together in. you know back in the day. Yeah. at. Victory Gardens Theater, Chicago, summer. of 88, Robert Smeiggel, and just this. really fun thing that we tried to do. And then we had some time off and you. and I drove down to Springfield, right? >> And visited the house, Lincoln's house. in Springfield. And then I'm the exact. height that Lincoln was. And you became.

obsessed with I should talk as Lincoln. and you should talk as his law partner, uh, H. Hearnden. >> Yes. >> And H. Hearnden had big mutton chops. And this is one of your specialties is. you can go into these great characters. as everyone knows. And you and I walked. around Springfield together and you were. like, I tell you, Abe, I think you're. going to run for president. You're going. to win. Yeah. You know, and I was going. like, well, I don't know. And I It was. just, why who are we amusing? We're. amusing no one. I think we're just. making ourselves happy. But I think we.

did that for a couple of hours. Last. night was special for me because. >> uh you're in this. You're you I mean, I'm so glad it's been acknowledged. You. got a Tony nomination playing Shelley. Lavine in this classic David Mamemoth. play and you killed it. You absolutely. killed it. And it was so cuz I flashed. back to Wait a minute. I remembered I. think in 1990 or ' 89 or 90. >> You did a oneman show called Half My. Face Is Clown.

>> And again, we were still writers trying. to figure out, >> do we get to be in front of people? Should we be in front of people? uh are. we too weird to be in front of people? And I went and saw you do your show. >> and there are bits in it that are still. I have such fond memories and I remember. at the time watching you and thinking. Bob's doing it and he's really funny. This is great. >> and I was telling you last night it's. kind of you didn't make a break with.

your past because I can see moments. where you're accessing. >> Oh, there's no question. There's things. in Glen Gary Glenn Ross that I'm doing. physicalizations or. to get sort of conceptualizations of a. moment of of a emotion or. >> Yeah. >> that are. that could be in half my face is a clown. or happy happy good show or any of those. early. >> or Mr. Show. >> Yes. Like there are things you're doing. that you're accessing that people would.

think, well, this is really funny, but. it can't belong on Broadway in front of. a soldout crowd and you can't be Tony. nominated for it. >> Yeah. >> Yes, you can. And also, I mean, clearly. >> you, you know, you. built up this these incredible chops. >> Yeah. >> Doing Saul. >> Saul. Yeah. >> Saul. >> Yeah. Better Call Saul. And before that, Breaking Bad. and you were around these. masters and. >> you you worked it and worked it and.

worked it and it was I mean. >> well you know um Smiggle Robert Smiggel. our friend who's the reason I even got. on Saturday Night Live and I think the. reason I was able to stay there for any. length of time was uh he came to the. dress show and I said to him because I'd. been asking this question am I being too. silly in this role and he said. >> to Glen for Glen Gary. Yeah. >> Glen Gary. And he said, "Yes, Bob, you.

are. And you got to chill out. You got. to tone it down." And I'd been waiting. for someone to give me that response. because that's what I felt. But our. director, who was, to his great credit, let us run free. >> Yeah. >> You know, >> he I think he maybe hesitated. He didn't. I don't know. He didn't want me to feel. >> hemmed in editing yourself. Yeah. and he. was like, "No, it's fine. It's great.". And he very much wanted to do a humorous. version of the play. He wanted as much.

comedy to come from the play as he. could. He said that multiple times. So, but I think Robert was right. So after. Smiggle saw the show and called me and. we talked, then I just kind of dialed it. in more because obviously at the end of. that play, Shelly asks for your empathy, you know, and if you've been too. ridiculous, and I get close to it, >> uh it's hard to say that to the audience.

and now feel. >> um some degree of impact for this guy's. uh you know, destruction, self-destruction, Right. >> And uh and so Robert helped me dial that. in. And I think I I I I'll tell you one. of the things that helps me to be as fun. and big as I am in this play is the size. of the room. >> Yeah. >> Like that is a big room we're in with a. play. >> Unlike Saul, there's not or the Nobody. movies. There's not a camera 3 in from.

your face. >> And so some amount of. >> Yeah. uh of projecting and being big, but I I just thought whoever had the. idea. I don't know how it happened, but. you know, and particularly you and and. Bill Burr, >> you're both playing these characters. that you feel like Mamemoth wrote them. for you. That's how it felt to me. >> And I was so happy because I was. watching you. >> uh on this huge stage on Broadway. Everyone, you know, applause when the.

curtain comes up. You have this scene, your opening scene. >> is incredible like nuclear energy from. you that and I I'm just thinking how did. Bob remember all this? >> I mean that's what I'm I'm I'm just. amazed by it. >> I got good at that doing Saul. I mean. Saul taught me how to learn a script. >> Yeah. >> And I had no choice and I was so scared. and I my voice. >> uh out of sort of stress. >> Yeah. the first week of Saul and Ray.

Seahhorn was so great and we spent so. much time together, she and I, and she. really helped me through those early. weeks and um yeah, so I I I learned that. the ways to do that, which is. essentially. >> I mean, if it's well written, if the. thing is well written, even with the. repetition that Mamemoth likes to use. that feels like people slipping and. tripping over their thoughts And.

>> even even with that, it's a story. It. builds. It has one thing goes to the. next. Even the trips in there, the vocal. and the the words that repeat themselves. feel like they make sense. Whether the. person's nervous or excited or whatever, that's why there's a reason. There's an. emotional reason, right? And uh so uh so. it's really kind of it's weird, Conan. First thing I did with the Saul script. and really with the Breaking Bad script. was I just deconstructed it like a. writer. Like if we were going if someone.

had said to you rewrite this rewrite. this scene and you know that's what I. did as an actor. It was like what is he. trying to say or what is his subtext? What is he uh where is he going down a. dead end? And then he goes back and. starts again. And um so it all comes. from writing and and I got good at that. and I got and there is also a kind of a. a weird muscle training that your brain. it gets better at uh memorization.

>> Well, also uh there's it's music and the. thing is in comedy we know there's a. music to it. >> Yeah. And sometimes we have these ideas. and thoughts and it's just because you. and I love music. >> and we've always been kind of fascinated. with wanting to play music and do music. and then it's that thing so many. comedians we want to be a rock star and. so you know early on in our lives people. assessed our skills and said you should. try comedy. Uh and um it was there's a.

music to this stuff and there's a music. to and if you tune into that I would. think that would help because. >> the patterns in in Glengary Glenn Ross. and Mammoth is just. >> it is if you can hear the music in your. head and I can tell that you guys all. are hearing that. >> and it is a it's a you could it could be. a vocal performance. That's what it is. It's a vocal performance. it. And. sometimes when I was learning it, actually, I would sing it into my little. recorder to help memorize it. And you.

and while you're singing it, it's not a. uh it's not the most melodic thing. you've ever heard, but it it's got a. it's got this like lyrical rhythm and. kind of like melody that you find that. helps you to memorize it. >> Yeah. I also would say Kieran of all the. people is the one I most think about. when I think about that kind of a sing.

song version of his words and how he. does it. By the way, Kieran never saw. the film, never saw the play. So his. performances, >> he's just lazy. He's lazy. That's just l. You're giving you're putting him up on a. pedestal, but Kieran is famously just. doesn't prepare. >> Well, he's sleepy. It's not the same. I. also love I said to him once it was on. this podcast that um I was talking about. him on succession his character on. succession and I noticed that I said am.

I wrong or is your character just. completely unable to sit he can't sit on. a c he can't sit for a minute and he was. like no no no that's it that's it he you. know not the not that it's all of it but. I noticed a lot that he's constantly. squirming and constantly and he uses his. body so well and last night in the play. there's a really funny moment where he's. trying to get away from someone. He's. headed for the door and then finally he. gets to the door and the person says. something that stops him and he just. slumps and it's I mean it's like a.

Buster Keaton Charlie Chaplan thing. It's really funny. >> and we you know. >> there's we get so many laughs with this. thing. >> Yeah. >> And and a lot of it I give a lot of. credit to Bill Burr because and that. first scene with Bill and Michael. So my. scene comes on and there's laughs in. there but it's desperate desperation. Yeah. And. >> then you get Bill Burr and Michael. McCann and great laughs written in. >> Mammoth wrote these jokes in.

>> and these guys are nailing every single. one not to mention you know finding. other moments along the way and the. audience because it's Bill. >> especially know like oh well he's a. comic. I I think this is pretty damn. funny. Well, that's definitely funny. I'm allowed to laugh. And so from that. point on, >> they're looking for us to provide some. comedy. And it's. >> it's been so much fun. And. >> I I don't think you'd ever see a funnier.

version of this play, but at the same. time, I think we're we're getting at the. core of what it's about, you know? I. don't think we're dropping the. >> the meat of it just because we're. finding all the humor within it. Yeah. It's funny because just as we were. talking about music and stuff, I'm. remembering one of the first things I. heard you do when we were first meeting. each other and we're in our early 20s. was you used to do this character called. Rocker and he was a he was a heavy metal. rocker and it was that it was such it. was so he I forget what he did but he'd.

be like no he'd be like. cuz he sang sort of like he talked sort. of like Axel Rose sings and I always. wanted you to do rocker and he'd be like. rock road and um I just delight I mean. >> well every time I see a guy the other. day I saw a guy walking down the street. in Greenwich Village and he had he just. looked like an old English rocker and. all I could think in his mind all day. long he's just saying rock and roll man.

all day long that's the only thing going. through his head. >> you also did a guy. >> Michael used to do old people. >> oh yes. >> I'm old I'm old. >> Oh, I'm old. And now we're getting old. >> It's not so funny anymore, is it? >> I'm old. I'm old. >> Yeah. There's so many little things that. we would go into. >> So mean to people. >> Yeah. >> Oh, but comedy should have a little bit. of. >> I do a thing where I'll be driving. around. David, you've seen me do I'm I'm.

in a car and I'm driving around and. they're just people like you're in. Manhattan and you're in an Uber and. people are all over the place and I'll. be like. >> better than him, better than I'll be in. a car like and it's a guy who just is. constantly making sure that he's better. than everyone and someone better than. him and then they're pushing a baby. carriage and I'll go like better than. the kid, better than Yep, yep, still. good. Better than better than and and. like literally, you know, >> if anyone else heard it out of context, you'd be a monster. No, no. There's so. much stuff I do which is my take on a. monster and then sometimes you can think. is he a monster or is he doing his I.

hope he's doing his take on a monster. and I think I am but who sits in a car. and goes better than him. >> And the one one thing I did that only. you tuned into was the miso soup horse. I used to go, one of my characters was. the miso soup horse and it was a horse. that just went miso. miso soup and you would laugh and like. every other writer was like you. shut up so me miso soup and Bob would. get that have that great laugh and I'd.

be like well at least he'll be my friend. when this is all over. Um, I got to uh. watch you came out with um Nobody. And. one thing I would not have guessed if. you had told me, "Okay, meet this guy. Bob Odenkirk and Future Man came to me. and said, "Let me tell you about Bob in. the future. Um, he's going to be on. Broadway. He's going to be Tony. nominated." I'd be like, "Yeah, that. tracks." Uh, I I can see all of that. happening. He's going to have a sketch. comedy show that becomes the formative.

sketch comedy show for a lot of people. along with David Cross called Mr. show, I'd say like, "Yep, tracks. He's going. to be an action star." I would say, "You. know, I like you, future man, but. clearly you have a brain tumor." And. when Nobody came out, I was like, "Oh, I. got to cuz you told me about Nobody. before it came out." And you said, "Conan, there's something I want you to. see. There's something I want you to. see. You're" And you said, "There's. something I'm doing now that I think is. going to surprise you." And I was like, "Whatever." I didn't know what you were. talking about. And um nobody came out. find. when it came out, I was just, "Oh,

he's he's so good at this." And the bus. scene was this thing that really got me. where you get beat up and thrown off the. bus. >> and then I think you I don't know if you. take a belt off and you tie it around. and you and you get back on on the bus. >> and I thought. >> this is. tapping into something that's always in. Bob. Yeah, there is there's a rage, there's a determination, there's a um you know, we were all at.

one point low men on the totem pole at. SNL and there was a and feeling like we. don't belong or maybe feeling like we're. not going to last. >> Yeah. A chip on my shoulder. >> Yeah. and chocolate chip and uh and but. I see it and then I think uh you know. but what's amazing is you this role came. along when you're completely established. as a great actor. So you've got that.

part and then you're kicking ass and. there's a rage and the the I saw Nobody. Too. >> and really loved it. >> You saw it? >> I saw it. >> Yeah. How did you see it? >> Um Sure. They've been very protective of. it. >> Oh, they are really protective. They. sent me a link. I was trying and trying. and trying and trying to watch the link. and it wasn't letting me and clicking on. it and there's all these codes you have. to put in and it's like getting into a. the Pentagon. I think I'm I feel like. I'm trying to access nuclear weapons.

But anyway, long story short, I finally. get in with a lot of help from young. people who know how the internet works. and how computers work. >> Yeah. >> And they know the whole alphabet. >> Oh, that was low. Just because I'm an ape. I don't know. the alpha. An Irish ape. Um, when Bob. sees me, he sees me. He sees one of. those immigrant cartoons of a of a dirty. Irishman from 1870 who looks like a. giant gorilla but has like red mutton. chops. This is why I was nervous about. the podcast is because I thought you.

just make me laugh for an hour and I. would that's all that people would see. as Bob is a gibbering giddy. >> No, you've you've. >> gibbling fool. >> Is that a word? Gibbling. >> It is a gibb. It's a gibbling. You're a. gibbling fool. I honestly you Conan you. make me laugh so hard and it's such. silly stuff and I I have to I have to. say. >> the thing that I'll never forget. laughing so hard at.

>> is the impersonation of the alien from. the movie oh. >> the enemy mind. >> enemy mind and it was 2 a.m. I probably. ate too much, you know, Thai food, so I. had some kind of sugar rush 2 a.m. 3:00. a.m. >> Lou Gossit Junior's in the movie along. with. >> This had nothing to do with the Dennis. Quaid. >> and Dennis Quaid. >> This had nothing to do with who was. hosting the show. Anything to do with. >> No one was hosting the show. I had. >> In fact, the movie wasn't even recent.

>> Yeah. >> And you started doing the alien, >> the pregnant Dennis Qu I mean the. pregnant um Lou Gossit. >> Jr. and he's an alien who you've seen as. evil, but then you realize that his. species can have a baby, which comes. late in the thing. >> This is real cuz I never real this is. real. And then there's this part where. he's. >> becomes he's gone from like vicious uh. monster and and he's gone from like the. you know the the the monster in. Terminator and not Terminator but.

Predator to suddenly it's it's as if at. the end of Predator the the the monster. is like. and rubbing its very pregnant belly and. making very maternal faces and it blew. my brain and all I could do was I mean. we had work to Yeah. >> And you and I are howling cuz I'm. rubbing my belly and making. >> I'm with child. >> I'm with child. And which may not even. be I don't think it's even in the movie.

>> I'm with child cuz no alien would know. that saying. >> that was in the movie. That would be the. >> but anyway to fans of enemy line I'm. sorry. >> writing that in and then people being. like this one line. >> I think we might be pushing it. >> We got to tweak it. >> I'm with child. Does he need to keep. saying that? He says it 12 times. I. count. >> this vicious this really cool vicious. alien is like I'm doing kaggles. >> I'm. I have a cream I rub for stretch mark. I'm eating for two. I have to eat two.

human skulls. >> Um burp. >> Um. >> but what I want to the point I want to. make about uh which is really fun is I. love the nobody movies. I love the. second one. >> or the rage. Well, I like. >> talking about when you access, but you. know what? You're able to access that. It's your new. >> the only gift my father gave me. >> Is that true? >> On some level. Yeah. I had a very. >> Well, my dad was funny, but not in the. way I am. He was funny in a uh he he was.

good with a line, like a jokey line. Um. >> But you had a complicated relationship. with him. >> Well, we had a distant relationship. It was more like a pen pal who never. wrote to me and I never wrote back. Uh. but uh but no, he was uh seriously he. was able to go from 0 to 80 in like 2. seconds. And I think I can do that and. it actually lends itself to acting and. all kinds of things. And it's kind of a.

uh. >> uh I I said to David Carr, the great. journalist, once he he had come to see. Better Call Saul, and he was watching a. scene, and afterwards he said to me, I I. don't know how you do that. And uh uh I. said, 'I know how I do it. He goes, "Oh. yeah, how do you do it?" And I go, "I. have poor emotional boundaries.". Uh. >> you're being honest, but it's funny, too. >> Yeah, but it's kind of true. And it is. actually kind of true of not all actors,

but a lot of actors uh who are able to. can't help but slip between sort of. emotional responses that are maybe a. little too intense. Uh, and you could. say that that's a wonderful skill that. they're putting on display and it's. shocking and surprising and it grabs you. and it involves you and it and then of. course in real life it can be very uh. bad and and and not healthy and uh and.

really be a sign of poor health um. mental health. But I have to go from. that to this which is in 2021. I remember where I was but I suddenly. someone came in the room and they said. Bob Odenkirk had a heart attack. And I. mean I'm always hearing about. people I know tangentially through this. business who've fallen sick or. something. But I had a real.

>> response of I know Bob. This is ups this. is really upsetting and horrifying and. initially I couldn't get a read on are. you gone? I started to hear this is. really serious. >> Yeah. >> And then I know your brother Bill who's. hilarious and Bill love you and shout. out to Bill Odenkirk. And I got in touch. with Bill and he told me um we think.

he's going to be okay but it was bad. And I I was turned out that you were. completely out. You were out. >> Yeah. Yeah. Yeah. It's a weird thing. that happened and. uh. so. one of the tributaries to the Widowmaker. got completely blocked and I went out. and were in the middle of a scene or. >> No, we were uh in in a break.

>> and it was during COVID shooting so we. were separate from the crew and luckily. I didn't go to my trailer. If I'd gone. to my trailer, I wouldn't be here. because no, they don't bother you when. they knock. They wait for up to an hour, right? >> You know, um, who takes an hour to. masturbate? >> You know, when I've had my heart. attacks, it was just masturbating. It. was that's that's what I was doing. Yeah. All my heart attacks happen while. masturbating. >> Uh, but uh I I sat, you know, where we.

were sitting. Rey and Patrick were right. there. I've told this story too many times. Okay. Um. >> uh. and this thing happened and I went down. I turned gray right away and did worse. What your body does when it stops going, "Oh, nothing matters anymore.". >> Yeah. Wow. >> Yeah. And I was just gone. and Rey held. my head up off the cement and.

they started screaming but people were. far away because of co. >> so uh the crew later told me you know we. thought they were laughing we thought. they're laughing very loudly at. something took a few seconds to realize. people were screaming. and luckily we were at the studio and um. um our uh. medical officer was there, uh, Rosa.

Estrada, and, uh, she, uh, came out of. her office. She'd done two tours with. the army. Wow. She immediately did CPR. properly, really well, broke my ribs, and, uh, the medical officer uh, of the. show, the medic was there too, but he. kind of froze up. >> He was very freaked out. >> And later apologized to me. Um but he. then also helped out and they all. switched off essentially they weren't.

able to get an AED for 15 minutes. So. because CPR was done so well and because. they also had that breathing mask, you. know, >> um. >> those two things as well as my training. for nobody which made some of the other. >> um veins to my heart larger, sort of. enlarged, right? like bigger than you. would normally see because I did so much. training. Um that meant that blood was. able to get. >> you're getting oxygenated blood to your.

to your brain. >> and my heart. The heart starts to die. right away, right? It starts to scar up. and die. But because those other veins. were feeding blood through my heart, the. heart didn't scar up. So my heart has. almost no scarring at all. Fantastic. Yeah. for 15 minutes of just people. doing this and uh and then they had the. AED and it took three hits for the AED. to work which is a lot. It's kind of.

super scary. And that's where some of. the fear and the the real well. everything about it was really scary. And in fact, Tony uh Dalton, who played. Lo and his good friend, uh he was there. They were all there. Everybody gathered. around and uh he said, "I saw a guy die. from a heart attack. He at an at an. airport and you same exact thing is what. you I saw it again." I'm like, "Well, he's dead. This guy's over." And uh so. it was the three AED uh hits that also.

super freaked people out because that. AED device does a thing. It talks. It. says um. >> no heartbeat detected. Step away from. the body. 10 9 8 7 down to one. And then. it shoots. And then your body jumps off. the ground. And then. >> there's like some recoup moment. And. then it goes no heartbeat detected. And. uh and so they they also check you. Then.

it's a step away from the body because. you can't be near it, right? You can't. be touching it or you'll get shocked. And so the fact that that had to be done. three times made everyone feel that this. thing was maybe not working. >> Yeah. >> And so then um. we were very far from a fire station. I'm going to tell this story. I've told. it too many times. I apologize. Just go. to the next clip. >> No one heard the other times. This is.

the first time. We're the first time. I. mean, people really. >> 25 minutes for the ambulance to get. there. >> Yeah. Jesus. >> And then Well, they were far and and. then they took me to a great hospital, Presbyterian in Albuquerque. And then at. 5 a.m. in the next morning, I think they. put me in a coma, you know. I think they. put me in a stasis state. And uh then at. 5:00 a.m. they went in through here. which you can't even see that scar. anymore. >> Went in through your wrist. >> and Yeah. They went in, pushed it out,

cleaned it out, put in two stances. >> Jesus. >> They use just a a bristle brush. >> that they got at the hardware store. And. they don't clean it hardware. They don't. clean it between procedures. >> I told them, you know, it's just sitting. on the shelf for months. There's dust on. it. Did you wash it? Did you rinse it? Nothing. >> They keep it in their glove compartment. >> They said we were in a hurry. >> Yeah. >> I said, "Well, you were worried about. me." And they No, we had other projects. They call us.

>> a toilet that needed work. >> Look, everybody was really scared for. for all legitimate reasons. >> Y. >> I'm super lucky. Conan, CPR was done. really well. >> Yeah. three people switched off because. you can't do it for if you're doing it. well, you can't do it for more than two. and a half minutes, three minutes. because you're exhausted, right? >> So, you need someone to hand it off to. So, there's three people who switched.

off. >> Jesus. And then this AED device, which. every studio there has now, but at the. time there was none in any of the studio. buildings on the whole lot, but our uh. Rosa had one in the trunk of her car. that she had been trying to return to. her friend. She had borrowed it and she. had tried to return it and her friend. wasn't home or it wouldn't have been in. her car. just in. >> and her car was parked, you know, as. those lots are huge and she had to run.

to go get it. So, it just so many things. happened that were lucky. I I have. the stories that my friends told me, Rey, of course, Patrick, Vince, the. degree to which I could see how shaken. they were from having been there, those. I kept asking them, tell me the story. because I had no memory at all. Nothing. It was just a blank. It was just wake up. and I'm leaving the hospital a week. later. That's my first memory is talking.

to the doctor on my exit interview. So, I was there for a week. I was awake the. next day at 1:00. um but groggy, but I don't have any. memory of any of the hospital at all. And uh and I don't have any memory of. the day the whole day that we shot. So, we had shot all day. So, um, one of the gifts that it gave me, this. is so weird, is for the next couple. weeks,

I had memory challenges and uh, a lot at. first. Like, I didn't know where I was. I would would not not be scared at all. I would wake up and be like, >> "Well, wow. This I mean, honestly, Conan, it was like if I It's like, look. at this world. Yeah, >> this place is amazing. >> Well, this is SiriusXM in New York. And. it really isn't. And so, I mean, you. know, you're talking about a blade of. grass, sunlight. Yeah.

>> Uh uh, you know, just life, butterflies, but Sirius XM New York. No, >> no. >> I don't care if you just came out of a. death coma. >> It really was. And this happened, and my. memory came back a little a little bit. more every day. Um, but I didn't wake up. the way we I do normally, which is whatever I went to bed afraid. of, scared about, concerned about. >> right away. Right there. Not to mention.

my own brain's. natural fallback position. What should I. be worried about? What should I be. worried about? >> Literally going down the list. I think. this is something I got from my mom. How. is this person doing? How is that person. doing? What can I do to help this. person? What can I do to help somebody. in my life who I'm concerned about? >> And just who should I be worried about. right now? >> Yeah. >> You know, and and what should I be. worried about? And. >> I just didn't have any of that. The. world was a wonderful place. I had.

people I loved around me. I had a job. that I can't believe a magically. wonderful job that I get to do. >> Um and and I that carried with me for. months. For months. Here's the question. I have because I've noticed this uh um. you know I lived in New York on 911 and. uh. >> everybody was on their best behavior. >> after 911 in New York City and it was.

just a beautiful thing and you know. you're you'd go to a restaurant people. said you've got to go out you've got to. keep the city going. you you'd go places. and the person would come over to take. your order and you'd ask them how. they're doing, where do they live and. then you'd make them sit down and they'd. join. I mean, it was just this happening. >> and it I think it lasted five, six weeks. and then people started bickering and. and I and I just thought, oh, I see this. is what humans revert. >> Are you able to still access the. gratitude, the feeling of I'm good.

>> Yes, I am. I mean, I think I have to. make an effort, >> but it definitely, >> especially as my memory came back cuz of. of course the first thing you're. concerned is, well, maybe I'm not going. to get it all back and then I can't act. and stuff, but I, you know, I was. getting it back a little at a time every. day and I could sense that I'll get I'll. be okay, >> you know, but I've got to remember what. this state is like. I've got to remember. the value of this. This is. >> this should be a part of your day every. day. Yes, you should feel this every.

day. At some point, somehow you should. get yourself here because this is true, too. It's true that our world is filled. with concern and worry and danger and. things you should pay attention and be. concerned about. But this also should be. something you touch base with as often. as you can. >> Yeah. I' I've said I've realized this a. bunch of years ago that uh humility. um gratitude these words get thrown. around a lot but it's not something you.

achieve it's stomach crunches. >> you know you've got to. >> or stretching yeah. >> you got to do it every day or every. other day or it doesn't. >> there's no like I am I feel gratitude. check that off you've got to just keep. going back at it because human nature. and also modern media is isn't I mean. you pick up any device, you turn on the. TV and we are programmed to receive bad. news all the time. So yeah, you're.

absolutely right. But I mean, talk about. you do have a lot to be grateful for in. addition to your career, but just if you. were looking at your career, I would. say, you know, I I'm I said this. I heard that uh people were giving. blurbs for your book, your. autobiography, which I really loved. And. so I I wrote on it. I'm hardressed to. think of anyone who's had a more. fascinating, unpredictable, like great. career arc than Bob Odenkirk. I meant it. because I knew you like when you were,

you know, you had one jacket. You had. that leather jacket. >> and your glasses and uh you were very. intense. >> I was really proud of myself that I. could put everything I owned in one bag. >> Yes. Well, I remember going to your. apartment. We went to your apartment. once and it was super small as all of. our apartments were. Um, and just you. could like touch all the walls, you. know, you didn't have to move, but you. had I can remember your brown leather.

jacket, you know, your jeans, your. sneakers, your glasses, and I think. that's everything you had. And we um we. were hobos. and but I look at you now and I was like. I was watching the choreograph fight. scenes which are so great in nobody. >> It's fun to do. And I'm going to tell. you, it's the closest to a comedy. writer's room. Yes. >> Is doing a stunt fight in any of the. stunt fights I've done. It's the most. like, oh, this is what we did at 2 a.m.

First of all, you trained the fight. You. choreographed the fight. And I did. contribute to all these fights. And in. fact, the bus fight. So much of that I pitched to start, which is. >> he he bangs his head. >> The f he I hit my head on the first in. the first three moves. I I hit my head. >> Um I miss. >> I have to miss somebody punch and miss. >> because you're also your character has.

been out of it for a little bit, >> right? Yeah. >> And I have to degrade as the fight goes. I have to get slower and weaker. um not. stronger and uh and I get thrown out of. the bus and I go back in. >> Yeah. Now I have an opportunity to. leave. I could walk away. and I don't but that's okay. Hey, and. I'm not going to give anything away, but. in Nobody Too, one of And I don't think. I'm giving anything away because I've. also seen the trailer and um but.

for reasons that'll become clear when. you see the movie. It's it's organic, but you you end up at kind of like an. amusement park kind of place. And what's. fun is that that's where you are. You're. with your family. >> And so all the fights are happening in. this environment. >> I mean, there's a scene you incorporate. whack-a-ole. Yes. into a you know Jean. Cloud Vanam fight scene and it's so it's. two things. It's really good fight. choreography. It's really fun to watch.

It's satisfying because the biggest most. important element to me of a fight scene. is you really want to hate the dick. who's getting beaten up you and. >> but part of that was and it's in the. trailer so I don't think this is a. spoiler. When the guy whacks the girl in. the back of the head, I said, "Can you. make that just as small as like he even. the guy who, let's say the real guy who. does that is like, why did I do that? That was dumb. What an I didn't. need to do that." Like he didn't even. think about he wasn't thinking. He just.

>> slaps her on the back of the head. >> He's like, "Get out of here, you guys.". >> Yeah. >> And it's the smallest thing. >> Even he probably thinks I shouldn't have. done that. That was a dick move. But he. also it wasn't I didn't hurt anyone. Nobody got hurt. Her hat went like this. >> But that was but you go no. You. know because. little things like that do happen in. your life and you can't do anything. about them. You have to walk away from. them. But. >> I know. But what was so smart about that.

is it's your daughter. >> Yeah. And I think what's really smart. about that is it taps into something. If. you have kids, um, and I don't care how old your kids. are, they can be little, they can be, you know, 25. If someone's. mean to your kid or shoves your kid or. just anything to your kid, it awakens. something in you. You want to kill that. person. And so, you're trying to leave.

It's a small thing. You're deescalating, which is we use a lot. Let's deescalate. You've clearly like I don't want to have. any trouble. I You're leaving swats your. daughter and it's just this great moment. because you're walking out and your wife. says leave. You leave as you know like. it's your opportunity. >> I could leave. you could leave and then. your wife says sees there's a look in. your eye which is. um I've seen that look back at SNL when. they didn't put your sketch on and um. and you you're I'm going to try and let.

and you can see he's not going to let. this go. They just it's your daughter. and you go back in and clean house and. it's but using all the stuff that's in. an arcade which is really fun and. >> that guy who gets it with the claw and. I've got the stunt. These stunt actors. are so great. >> You see how real he makes that and the. punch the punch the first punch. If you watch how he takes that punch, first of all, there's a thing about like.

he doesn't just clear off. He like goes. >> Yeah. >> He's like like a like he's got some. strength. He's not just here to take a. punch. He's a guy. He's like, "What just. happened?". >> You know, like he. >> it those guys are so good. >> Is it as much fun to do that as I think. it is? >> It is. You laugh your ass off. They say. cut, everyone laughs and goes, "I can't. believe that.". >> Right. I got I got to call you on. something because you you were on the.

pod. You were on the pod. Let me say one. thing. You were on the pod for Now I. feel like I'm in cuz your character Shel. Lavine talks over people. And I'm doing. that to you right now, but it's cuz it's. important. When the first Nobody came. out, I had you on. I loved it. We had a. great uh interview and I said at the. end, "If you ever make another one, you. got to put me in it." You went, "Yeah, yeah. I'm not in it. >> That's a Don't be needy." But I just. want to be beaten. I want someone to. beat the out of me. >> We'll do one. >> Just can you do a third? Yes. And. >> I don't even have to be me. Just just I.

know, but I mean if when there's nobody. three comes out, I just want to be put. me in clown makeup. It won't be me. And. I'll be a small but I just want someone. to to beat me to death. >> We'll make it happen. The last thing. I'll say about the Nobody franchise that. I've appreciate is that there are many. like James Bond beats a bunch of people. up in a room and then walks into the. next scene looking like a million bucks. Um, you. >> you uh are a real human who's just.

fought 10 guys and you've been hit as. often you've as as much as you've hit. someone. You've taken as many hits as. you've given. And you can tell. progressively as it goes through. I. mean, Wy Coyote as gets a reset after. every scene. He can blow up and then he. walks back in the next scene and it's a. fresh Wy Coyote opening the Acme. >> uh rocket boot, >> Acme Rocket Boot box. But you are, >> you can tell like you just take a lot of. punishment cuz you're a real person.

who's fighting all these people. And. >> well, I want to do a scene in the next. movie, if there is another, where he. goes through a metal detector and his. body is pins. >> and then you fight all the TSA people. >> Um, all right. I'm going to have to wrap. this up because we have talked and. talked and talked. >> This will be heavily edited. >> I just got to say one other thing. Mhm. >> When I was training for nobody. >> Mhm. >> and I trained for probably you could say. 3 years and I when I would go do better.

call I would train for twice a week but. when I was in LA I would train three. times a week at the actual stunt gym and. I didn't think the movie was going to. get made but they were offering me free. training with this great guy Daniel. Burnernhard who trained me and it's like. free you know I learn about exercise. I. didn't know about it. And so I'll. take that, you know, and then you can. call me and say, "We're not making the. movie movie." And I'll go, "All right, thanks for the free gym hours." And um.

the whole time I'm doing it, I'm. thinking. about you and Smiggle and Sandler and. everybody I knew from comedy. And if I. were to get to make this movie. >> Yeah. >> and you were to go see it in Spade, I. kept thinking about Spade. I don't know. why he would go see it and go like, "What the fuck?". >> Yep. That's exactly. And you know what?

I had that feeling of of um. >> you know, it's like it was if. you I mean it was it was such a. mind-blower because it was as if you. heard there's this incredibly sensual. movie out. Uh, it's got really heavy sex. scenes and all the women are losing. their mind because the guy's so. incredible and you're like, who you know. who is it? It's Conan O'Brien. What? What? You he. is are his eyes still kind of creepy and.

is his lips still th Yes. How's his. skin? It's okay. Um, wait a minute. What. are his legs disproportionately long? Do. his B? Yeah, but man, the way he goes at. it, he takes his shirt off. Um and and. in but only the difference was you. completely owned it and it was great and. there's no like ah good for Bob when. people are buying movie tickets. especially worldwide. So. >> well it just I I promise you I thought. of you guys often.

>> keep us in our exercising and thinking. >> that's that would that's just a reason. to be doing this is if I could pull it. off. >> that would blow my friends minds. Here's. how I'll here's how I'll end this. Uh, you are a really you loom large in my. early career as one of the funniest. people I ever got to work with. And it. was really meaningful to me back then. because. I was sometimes t doing stuff on this. frequency that you really appreciated.

and I felt like this guy gets it and I. felt like you were doing the same thing. And I've told you I've memorized moves. of yours from your first one show. But. Bob, I'm so happy for you all. Also, weirdly, even though I I'm proud of you. I know that can like sound. condescending, but I'm really I'm like, I know him. >> and he's killing it. And just seeing you. on that Broadway stage last night, watching your movies, watching your. stuff. So, go in peace to love and serve.

the Lord. Have a nice day. Have a nice. week. >> Thank you, buddy. >> Bob Oden Kirk, Tupac, peace out. Sona, Sona, are you there? >> Yeah, I'm here. I'm here. >> Okay. Listen, there's a reason I'm. talking to you right now, okay? >> Oh, God. >> Uh, which is I am in New York working. hard. Um, while you're hardly working, not funny. >> And uh interviewing people. Just. interviewed Bob Odenkirk. You know, >> I love Bob Odenkirk. >> Okay. Well, don't say it like you don't.

like me. And take your hands away from. your mouth. What are you doing? >> What you feel? your mom straight. Okay, you can see me. I didn't know you could. see me. Okay, >> and um hello first of all, how are you, Sona? Nice to see you. >> Thank you. >> Second of all, second of all, let's not. waste time on that. Second of all, uh. I'm here in New York and I'm working. hard, you know, opposed to hardly. working. Funny joke. And uh I am talking. to you because I worry that when I'm.

away from our home base, when I'm away. from the Larchmont, California studios, that you guys are goofing around and. you're not you're not towing the line. And so this is a little drop in to make. sure that you're making it happen, but. you're still there. >> I'm Do you think you keep people in line. here? You think that you're like. >> you people get stuff done here in spite. of you. I mean, >> you come in, everyone's like working. You come in and then you just start like.

saying all these jokes and doing all. these bits and everybody has to just. stop working and and watch you. >> Yeah. Yeah. It must be tough when the. master of his craft comes in the room. and delights a crowd with his magical. skills. Must be awful. Oh Here. comes Beethoven. Oh no, he's got. his piano. What's this? A symphony that will endure. for all time. Oh god. When can I get.

back on Etsy so I can buy that. buy that little leather pouch? >> Um I No, I'm going to say morale is high. here. Uh people just seem to be in. really good spirits. Edardo, you're. we're we're hanging out. >> Super productive today. Um, since you're. not here, can I sit in your chair? >> Sure. >> Okay. >> But wait a minute. Hold on. Okay. She. can. Sure. Yeah.

>> All right. Now we're talking. >> Okay. That's cool. Now, what does it. feel like to be I mean, in a sense, you. know, you're now Conan O'Brien. What's. it like? >> Uh, I don't know. I feel a lot more. anxious and needy. I um. >> Hey, your skin's breaking out. I'm. suddenly filled with self-hate. I don't. know what happened to my skin. >> I just have a hankering for potatoes. Um, >> okay. I think you went too far. This is. now This is now hate speech. But hate.

speech everyone's okay with. People are. fine with you going after the Irish. No. one cares if you go after the Irish. Not. even the Irish. >> But you guys did that. Like, why is the. mascot for Notre Dame like this? Like, I'll get you. And then there's Lucky. Char. Gotcha. Hell puncher. >> Yeah, we're we're ridiculous people and. we know it. Um whereas you are proud. Armenian. >> Yes, I am. >> And uh and how are your boys doing? I. want to ask about them. Mikey and. Charlie.

>> Boys are good. You know, we moved into a. new place and they're adjusting. There's. a park, there's a pool, they just want. to do things. >> Yeah. >> So, we let them do things. >> Are you adjusting to your new place? >> I am. I like it. It's cool. I, you know, I know I talked a lot about my parents. and how hard it was to live with with. them, but. >> you know, they let us live with them for. over four months. And I, all I did was. complain about them. So, it was very. like. >> Well, you're. >> what? >> You're a very ungrateful person. And I. say that out of love. I mean, that's one.

of your better qualities, but you are. ungrateful. You're not gracious. And you take things for granted. There's. a lot of G's going on here, you know. Um, are you having fun in New York? I. miss the trips that I used to take to. >> Great. I'm really I'm I mean I'm I'm. slamming you left and right. Uh, all. these missiles are landing. Uh, I'm. ecstatic. I will say I've been having a. good time. You've been walking around. with me. I have. >> Talk about Conan in Manhattan. >> Yeah. You thrive here and.

>> and people come up to you left and. right. It's selfie central. >> It is. I think I've taken 3,000 selfies. M. >> uh went and um and I'm but I don't you. know as I've always said I like talking. to people I'm I'm cool with it but um it. gets very silly cuz we went and saw Bob. Odenkirk's Glengary Glenn Ross last. night with Bill Burr and. >> it was just uh. >> I want to see that. >> fantastic production really great and. then in intermission. there's just this line formed to get. selfies and I'm standing there doing.

selfies for everyone and I thought I. should start even if I just got a dollar. for each one. Is that a bad thing to put. out there? people would talk. I don't. think it would go over well. >> You know what? I'd have one of those. little oldtime change makers on me that. the ice cream man had in the '60s. >> Yeah. >> Yeah. That's what I want to do. I want. to monetize it. >> That's the kind of spirit I'm bringing. to selfies. >> A dollar? You think You think a selfie. with you is only worth a dollar. >> I think it may I think that's. optimistic. I think that's optimistic. >> If you could put any price on taking a.

selfie with you. >> I think a dollar is aiming high. Do a. bogo. Buy one get one free. >> Yeah. Yeah. Did you say is there a term. for that? Bogo. >> Bogo. Yeah. >> God, I love what the kids are doing. You. guys are amazing. BOGO. Etsy. >> What's that new thing? Internet. It's. crazy what's happening. >> Sona. >> Yeah. >> Yeah. >> I know about and FOMO. >> So, FOMO, BOGO, YOLO, Go. >> Yeah. >> Jub, Flipflop, Chip, Chop. >> Yeah. >> Uh, how are you, Sona? I'm glad to see.

you. I do miss you. You know that. >> I I miss you, too. when I see you in New. York, I really miss, you know, I think I. had like a when I kept when we kept. going to New York, I started getting. very like uh New York. And now I'm kind. of craving it. I miss it a lot. You. freaked out the first Yeah. >> When you were my assistant before I saw. the light and got David involved. Um but. God know he just knows just gets things. done. But anyway, when I first time I. took to New you to New York,

>> um you flipped out. You hated it and you. because you just weren't used to New. York City. You were very uncomfortable. there cuz you're such an LA person and. >> but the one thing I remember very. clearly. >> is you needed to go somewhere and I. said, "Well, just take a cab." And you. said, "I can't take a cab. I'll be. sitting on a seat that other people have. sat on." And I thought, "What? >> What? What are you talking about? >> What is this narrative you've weaved in. your mind? I sit on so many I've.

interacted indirectly with so many butts. in my life that you think I'm. >> you. This is a clear memory I have. Don't say this didn't happen. >> I'm not saying. >> you didn't want to take a cab. >> It didn't happen the way you First of. all, cabs aren't gross. Like they're. gross. But I also I take like lifts all. the time and I don't have a problem with. that. I think. >> So what was your beef with New York. cabs? >> It's over I mean they're gross. They're. like dirty. But at the same time, I. think that uh you're making it seem like.

I'm like prissy, like I can't sit there. It's I mean, yeah, I guess to a certain. extent, there was a lot of like I don't. like cabs. Uh but I think that uh I. think there was. >> You say that's improved now. You're. better. You're over it. You're fine. >> Kind of. Yeah. But I also I think that I. got overwhelmed when I would go to New. York. Like it was overwhelming. It's an. overwhelming city. And then when you're. like me and you just want to go out and. do stuff and you don't know what to do. and you and you decide to just stay in.

your hotel, you feel like you're missing. out on everything. And it just. >> I think it also not only in New York, which is an overwhelming city, but. you're with Conan O'Brien, uh a beloved. figure. Uh and I think that was. overwhelming for you as well. I mean, Conan, um I want to sleep with you. Oh, there he is. >> What? remember. >> you think wait do I remember random. people coming to you and just saying. like oh. >> you're with me all the time and they're. like oh my god I can't believe it and.

you know I had a sex dream about you. just an hour ago and it's 4:00 in the. afternoon you know that kind of thing. whatever heard anyone say people like I. want to give you money you're you're a. Christlike figure. >> it was more like can we take a picture. and you would be like yeah sure and then. you'd be like do you need anything else. they're like no I got to go. >> that is so me. Is there any other thing. I can do for you? >> Um, I could write you a chat. >> Why don't you join me? Let's sit down. and have a drink. And they're like, I. just wanted to. >> Okay, now you're making me seem needy.

And that's as crazy as you being someone. who's a germaphobe. Um, okay. Uh, Sona, I checked in on you. I miss you. Give my. love to Tac and your lovely boys. So, they still like their their Uncle Coco. >> They love Uncle Coco. They talk about. you all the time. Did I ever tell you I. showed them like Oh, you I sent you a. video. you sent them a video back which. I had to play with them for them like. 150 times and after I did it um one of. them I think it was Mikey went Uncle. Coco's kind of funny huh and I was like.

yeah he is kind of funny like I don't. you know in their mind you're just like. this funny guy but they don't realize. you're you've been working. >> I was taking a ride I was back I was. back from my uh college reunion and I. was in Boston and I was in a I was. taking a I think an Uber and somewhere. and the driver. um uh is just driving me, not really. paying attention. And we're I'm I always. chat with the people, so I'm chatting. back and forth. And then I made kind of. a joke and the guy laughed and he said,

"You have a sense of humor.". He didn't, you know, he from another. country. Uh he's learning the language. You have a sense of humor. And I was. like, whoa, still got it. Uh all right, Sona. Um, be well and I'll be checking. in with you in about 20 minutes. >> Okay. I'm excited. I like sitting in. your chair. Maybe you can sit in my. chair from now on and I'll just sit in. yours. It's like first chair. >> Getting used to other people's chairs. I. like it. >> Yeah. >> All right. >> Butts. Your fear. Okay. Don't say butts.

>> Butts. Lots of butts sat in all these. chairs and I'm fine sitting in them. So, you know, I guess I proved you wrong. >> I got to go. Beethoven out. I got to get. my piano out of here. >> Not Beethoven. >> You'll see. Beethoven the dog from the. movies. All right. Uh, I'll talk to you. later, Sona. Bye. >> Bye.