BEETLEJUICE (1988) BREAKDOWN! Every Detail You Missed!

Without this ghost with the most, there'd be no MCU as we know it. Hello. and welcome back to spooky season, boys. and ghouls. I'm Gina, your resident. campy8s horror flick nerd. And this time. I'm talking about the gothic horror. comedy that reimagined the afterlife as. a [music] bureaucratic nightmare, 1988's. Beetlejuice. So turn down the lights and. grab your handbook for the recently. deceased. This is the witching hour on. new rock stars, and it's [music]. showtime. >> Beetlejuice. Beetlejuice. Beetlejuice. It's showtime.

>> Everyone who grew up with this movie has. an appreciation for its legacy. [music]. A pinstriped suit, calypso music, practical effects, somewhat unknown. stars who would rock it into the public. eye following its release, and an. audience that would no longer be able to. look at shrimp cocktail the same way. again. This movie has it all. But no. discussion of Beetlejuice would be. complete without talking about how its. success ultimately gave us a movie that. radically reshaped the superhero genre. and led to the DCU and the MCU we know. today. Tim Burton was born in 1958 in. Burbank, California. An oddball with a.

wild imagination, he shot offbeat short. movies in his backyard using stopmotion. techniques. In 1976, he attended Cal. Arts to study character design where he. made some short films that got the. attention of Disney, the company that. would go on to hire him after he. graduated. While at Disney, he made. several distinctly und Disney-like. animated shorts, [music]. including Frank and Weenie, released in. 1984, which he would years later make. into a successful featurelength film. Disney hated the short. They thought it. was too dark for their audience and. fired Burton for wasting time and. [music] resources. But those shorts did.

gain Burton one fan. Actor Paul Rubin. saw them and pushed execs to hire Burton. as the director of a featurelength film. going into production based on his. popular subversive children's show. character Peewee Herman. Peewe's Big. Adventure was released by Warner. Brothers in 1985 and was a huge success, grossing over $40 million in North. America on a budget of just $7 million. Burton's featurelength directorial debut. was a success. Warner Brothers then. offered him the opportunity to direct a. live-action Batman film. But after. hearing some of his takes on the. property, they felt his tone was too. weird and experimental for a superhero.

film. So, they brought him other. projects, including one titled Hot to. Trot, which featured Bobcat Gulweight. and a talking horse who gives investment. advice. Needless to say, Burton wasn't. too happy with the options he was being. presented with. That film actually got. made, by the way. It [music] was. released in 1988 and got five Golden. Raspberry Award nominations, including. one for worst picture. It did not make. its budget back. But then Burton read a. script for a movie called Beetlejuice. Beetlejuice focuses on a married couple, Adam and Barbara Maitland, living in the. fictional town of Winter River, Connecticut. One day, when driving home.

from running an errand, the Maitlands. crash their car through the side of. covered bridge after swerving to avoid. an adorable pooch. The car crashes into. the river below. Upon returning home, the Maitlands realize that they didn't. survive the crash and are in fact dead. An overeager real estate agent sells. their house to the Deetszas, a family. from New York made up of Charles, a real. estate developer, his second wife, Dileia, a sculptor, and Charles's goth. teenage daughter, Lydia. Dileia and her. insufferably post-modern trendy interior. designer, Oo, decide they want to. totally overhaul the house. So, Adam and. Barbara try and haunt them to get them.

out of there. But it turns out the only. one who can actually see them is Lydia. Adam and Barbara travel to the afterlife. to ask for advice, but come up empty. And after several attempts to drive out. the detses themselves, they enlist the. help of a self-proclaimed bioexorcist. named Beetlejuice. He wres havoc and the. Maitlands have regrets about hiring him. Oo performs what he thinks is a. seance/summoning spell for the. Maitlands, but is actually an exorcism. and Barbara and Adam's bodies begin to. decay. Lydia, who's taken a liking to. the couple, asks Beetlejuice for his. help to save them. He agrees, but only. if she agrees to marry him. So, he comes.

out and saves the day, but also tries to. get rid of Barbara and Adam when they. try to stop his creepy underage teenage. girl wedding. He sends Adam away to a. small model town and Barbara to Saturn's. moon Titan. Once there, Barbara wrangles. a giant sandworm which she rides back. into the house to eat Beetlejuice. In. the end, the Deetses and the Maitlands. live in the house together, helping each. other out, and Beetlejuice is sent to. the DMVesque afterlife waiting room. where his attempts to con a dead witch. doctor out of his place in line leads to. his head being shrunk down. The movie is. original and bonkers and was tonally. unlike anything that came before it and.

almost certainly wouldn't have gotten. the green light if it was being pitched. today. But that original script was very. different from what ended up being on. screen. Michael McDow was actually a. novelist before he sat down to write the. script for Beetlejuice. He was best. known for his gothic horror stories and. fellow horror writer Steven King once. called him the finest writer of. paperback originals in America. In the. 1980s, he started writing scripts with. former Paramount exec Larry Wilson. He. wrote an episode of Alfred Hitchcock. Presents titled The Jar. And that. episode was directed by none other than. Tim Burton. One day, after being. disrupted by noisy neighbors, McDow got.

the idea to turn the age-old haunted. house story on its head. What if instead. of spooky ghosts haunting the frightened. living, it was actually friendly ghosts. being terrorized by nightmarish. homeowners? He wrote the script with. Wilson and started sending it around. That original script draft was much more. of a straightforward horror movie than. what ended up on screen. Barbara and. Adam's deaths were described in much. more grizzly, horrific detail. The. dietas had another daughter in addition. to Lydia and Lydia ended up dying in a. fire and going to the afterlife at the. end of the film. But the biggest. difference was in the character of.

Beetlejuice himself. He was less an. agent of chaos and more a terrifying. winged demon who could shapeshift and. wanted nothing but death and. destruction. An executive at Geffin. Productions loved the script and bought. it. Then it found a home at Warner. Brothers where Geffen had a deal. Before. Burton signed on, Master of Horror Wes. Craraven was actually attached to. direct. He left the project to instead. direct Nightmare on Elm Street 3: Dream. Warriors, which I talk about in my video. essay on that franchise and is one of my. favorite entries in the Elm Street saga. Beetlejuice was freed up for Burton to. come on board. Burton, Geffen, and. Warner Brothers knew that the script as.

it was was a little too dark for general. audiences. So, they brought in. screenwriter Warren Scarren, whose. biggest claim to fame at the time was. writing the screenplay for Beverly Hills. Cop 2 to do a rewrite. Burton knew that. Scaren would add just the right amount. of weirdness, humor, and family-friendly. elements to the dark script. At one. point, the execs at Warner Brothers. became nervous about the title of the. film. They thought that no one would. really get it and pitched the bland alt. title House Ghosts. Burton. understandably boked at the suggestion. and during one particularly frustrating. meeting jokingly said they should just. call the film Scared Sheetless. To his.

horror, Warner Brothers actually liked. the title. That's when Burton put his. foot down and told them that the. Beetlejuice title was staying as is. Beetlejuice, spelled this way, is. actually the name of a red super giant. star and one of the brightest stars in. the night sky and is unstable and known. for acting unpredictably. Beetlejuice, spelled this way, is the title of the. film about an unpredictable and unstable. bioexorcist. But throughout the film, the character's name is spelled in. different and sometimes unpredictable. ways. Hence why at one point Adam sees. the word and isn't sure how to pronounce.

it and says Beetlegeist. >> Beleggeist, the bioexorcist. Troubled by. the living. Is death the problem and not. the solution? unhappy with Eternity, having difficulty adjusting, call. Betelgeist. >> It's just another bit of fun Burton was. having with the title after all the. grief the execs gave him about it. So. now the film had its script. It was time. for the studio to move on to catching. Lightning in a bottle with the actors. who would bring it to life. For the. wholesome and madly in love Maitland's, the studio cast Alec Baldwin and Gina. Davis. At the time, Baldwin had only. really done TV and TV movies, and this.

would be his first big film role. Baldwin has said he didn't really get. the script or the character and was. worried the whole thing would be the. death of all of their careers. Davis, on. the other hand, actually got the role. because she did understand the. assignment. Coming off of the success of. movies like 1986's The Fly and 1985's. Fletch, which she had a small role in, Davis read the script for Beetlejuice. and met with Burton. In an interview, Davis said that during that meeting, she. told Burton that she really got the. movie and very much wanted to be in it. Later, Burton told her that he cast her. because he felt like he didn't have a. good grasp on it and that he felt quote,

"It would be very handy to have somebody. on set that knew what it was about.". Davis didn't even have to audition. For. the patriarch of the Deetsz family, they. cast Jeffrey Jones, and I'm not really. going to talk about that dude because. he's a registered sex offender. You can. look that up yourself. The role of. Dileia originally went to Morticia Adams. and the Grand High Witch herself, Angelica [music] Houston. But after. walking away because of a family illness. right before filming, the late great. Katherine O'Hara was brought in, and the. role was tweaked to better fit her. personality and style, O'Hara actually. passed on the role at first before being. convinced by Burton to take it. Actually, several of the actors.

initially passed because they weren't. sure what they'd be getting into. O'Hara, a Canadian living in Toronto at. the time, initially went to the wrong. place to meet with Burton, and by the. time she made it to the Warner Brothers. lot, he'd left for the day. But she got. the role anyway without even having to. audition for it. For the role of Lydia, practically every young female star in. Hollywood was considered at one point or. another. From Jennifer Jason Lee to. Molly Ringwald to Sarah Jessica Parker, Burton felt that none of them were quite. right for the role. But then he saw. Winona Ryder in the movie Lucas. When. Ryder went to audition for Beetlejuice,

she remembers a young guy striking up a. conversation with her while she waited. The two talked about old movies and the. art of Edward Gory, and eventually Ryder. realized she was talking to the director. himself. Burton told her then and there. that he wanted her to play Lydia. And. just like Davis and O'Hara, she didn't. even end up having to audition. But the. most important role in the film, that of. the titular character, was also the. hardest to cast. Burton knew he didn't. want a traditional comedian for the role. like Warner Brothers did. And. originally, he had Sammy Davis Jr. in. mind as his dream get, picturing the. character as an ultra cool Vegas lounge. singer. But the studio didn't get the.

vision, and there were concerns that. Davis, who was over 60 at the time, might not be able to do the physically. demanding, energetic role. Geffin. suggested Michael Keaton, who was known. at the time for his roles in light. comedy films like Mr. mom and night. shift. Katon turned down the role twice. There wasn't much of the character in. the original script, and Katon wasn't. sure what the role even was, but. eventually he agreed to meet with. Burton, who won him over. And a lot of. the character was actually created from. Katon himself, who committed so hard to. the role that he alleviated any fears. the other actors had about the film. Baldwin described him as a comedy Annie.

Oakley, saying he was so self- assured. and he just tore it up. Katon even. improvised a lot of the lines and. movements, and to this day, he still. cites it as one of his favorite roles. he's ever done. The cast was rounded out. by Glenn Shadex as interior designer OO. This was Shadex's breakout film role. Comedian and talk show host Dick Cavitt. had a small role as Bernard. Kavitt also. had a small role in the aforementioned. Nightmare on Elm Street 3 playing. himself. And singer Robert Goule played. the hard to impress investor Maxi Dean. He also had a small role as himself in. 1988 Scrooed, which would go on to be. nominated for an Academy Award for best.

makeup and which would ultimately lose. out to Beetlejuice. Scrooge also. co-starred Hot Trot's Bobcat Gulweight. With the cast in place, it was time to. move on to production. >> I don't know why, but the month of. September always feels like a major. transition for me. Like, I haven't been. in high school since high school. But. because I spent so many of my formative. years treating September like the start. of some big new adventure, it's just. hard to flip that switch off. And it's. not just the residual inertia of going. back to school, a lot of the patterns I. developed before I had the right context. or self-awareness to appreciate them.

still linger. Something my therapist has. reminded me of that's really helpful is. that now I can apply adult context and. agency to some of those feelings. So. yeah, it's September and if I'm feeling. geared up for a big new adventure, why. not just lean into it? Maybe you feel. the same way. Maybe you've been thinking. about therapy yourself and maybe now is. the time to embark on that adventure. Better Help, the sponsor of today's. video, makes starting therapy easy. You. take a short quiz, then get matched with. a licensed therapist quickly. You can. communicate however you feel. comfortable, phone, video, or text. If. your therapist isn't a good fit for you,

you can switch at any time with no. additional cost. Over 6 million people. to date have gotten help through. BetterHelp, earning a 4.8 out of five. rating on the app store. Click the link. in the description or go to. betterhelp.com/newrostars. to get 10% off your first month of. therapy. Signing up using our link helps. support our channel and lets us keep. making videos like this and the next one. and all the others. Let's get back to. it. >> After 1986's Little Shop of Horrors. underperformed for them at the box. office, Warner Brothers got a little. squirrely about budgets. They gave. Burton a strict budget of only $15.

million for Beetlejuice. It went into. production in March of 1987 on the. Culver Studios lot with all of the. outdoor shots and action being shot in. East Corinth, Vermont. Burton wanted a. small town location and the location. scout reportedly saw an image of East. Corinth on a postcard and realized it. was exactly what they'd been looking. for. They redid the signs in the town in. the same style that was already there. Burton wanted the Diet's arrival with. their New York trendiness to feel like a. jarring invasion. Burton's first choice. for production designer, Anton first, was shooting a different movie at the. time. One day, when Burton was wandering. around the Warner Brothers lot, he.

stopped into the set of The Lost Boys, where he saw production designer Bo. Welch's work. Burton showed Welch some. of his own drawings for how he wanted. the aesthetic of Beetlejuice to look, and Welch got it immediately. So, Bo. Welch was brought on board, and the. movie ultimately changed his life in. more ways than one. He would go on to. work with Burton for years to come and. he met his future wife, Katherine. O'Hara, on the film. They stayed married. until her death in 2026 at age 71. Welch. and set decorator Cheryl Carerik built. the facade of the diet's altered modern. house on a hill in the Vermont town. Art. director Tom Duffield has said that.

Beetlejuice was the strangest script. he'd ever read up until that point. Welch and Duffield tried to match the. design of the covered bridge where the. Matlands meet their end to the same. design you'd see in a small New England. town. Below the bridge was a small creek. that they had to block off for the crash. scene. The problem was that they needed. at least 3 or 4 feet of water for the. car to land in to actually be submerged. So they had to keep damning the creek. with blocks of concrete and storms kept. washing the dams away. So they just kept. rebuilding it and rebuilding it until. they got their shot. Burton wanted the. whole film to have a handmade old school. bem movie vibe to it and pushed everyone.

to work with that aesthetic in mind. The. afterlife waiting room was designed to. look like a DMV because there's nothing. more terrifyingly mundane than knowing. that that's what's waiting for you after. death. When it came time to score the. film, Burton knew just the man for the. job. He'd been a big fan of the band. Oingo Boingo, who were known for their. experimental newwave pop punk sound. when he had to hire someone to do the. music for Peewee's Big Adventure. Burton. approached Oingo Boingo lead singer and. songwriter Danny Elfman. The two would. go on to work together many times over. the years, including on Beetlejuice. With the small budget, securing music. rights for existing songs was more.

difficult. It was actually Katherine. O'Hara who suggested using Calypso music. for the memorable possessed dance scene. Burton got the rights to several Harry. Bellfonte songs, including Deo, a vocal. version of which actually opens the. film, sung by Danny Elfman, and Jump in. the Line, Shakesora, which is the song. Lydia dances and lip syncs to in the. final scene. In the original script, Beetlejuice himself was described as a. leatherwing demon that could take on. human form. Once that was changed and. Katon came on board, he actually came up. with a lot of the look for the character. himself with the help of Oscar-winning. makeup artist V. Neil, who's since.

worked on movies like Dick Tracy, Edward. Scissor Hands, and How the Grinch Stole. Christmas. In an interview with Rolling. Stone, Katon said, "I started thinking. about my hair. I wanted my hair to stand. out like I was wired and plugged in, and. once I started getting that, I actually. made myself laugh." In one of their. meetings about the character, Burton. told Katon that Beetlejuice should feel. like a thing that could come from any. period of time. So, Katon called the. wardrobe department and told them to. send him everything they could think of. from different time periods. A huge. wardrobe rack showed up and he started. going to town. They never rehearsed with. the finished look or put it on camera.

before shooting day. And Katon said that. he was fully prepared to walk out of his. trailer and be told not that. But. instead, everyone was on board and an. iconic look was born. If you've watched. my other videos, you know I'm a huge fan. of practical effects in movies from this. era. Only $1 million of Beetlejuice's. $15 million budget was allocated to. effects. So, the filmmakers had to get. very creative to pull off the stylized. looks, dead creatures, and supernatural. scenes. Given his affinity for the Bee. Movies of his childhood, Burton wanted. to make the effects look purposely fake. to add to the surreal and heightened.

nature of the world. Burton absolutely. didn't want to do things in. post-production if he could help it. He. teamed up with effects expert Rick. Heinrich and any scene where something. crazy had to happen effects-wise, he. insisted that they figure out how to do. it live and in camera. Visual effects. supervisor Alan Monrose storyboarded out. a lot of the film over a period of. several months, wondering the whole time. if Warner Brothers was actually going to. make the bonkers film. For the scene. where Gina Davis is holding Baldwin's. decapitated head, art director Tom. Duffield said that they pulled this off. with some lighting equipment and old. tricks. Baldwin kneelled behind a black.

show card, something lighting experts. use to block reflections and control. light while filming. The card was cut to. accommodate his chin and a fake. prosthetic neck piece, and everything. was done in camera. In the wide shot, they just had Davis hold a prop head. When Baldwin runs through the set. without his head attached, he simply. bent his head forward and ran. They put. a prosthetic on his shoulders to hide. it. A fake skull was made for the scene. where Barbara rips her face off. The. scene where they stretch their faces to. show off how scary they can be was done. with sculptures based on animation from. Burton's own designs. Burton brought in. puppeteer Mark Brian Wilson for some of.

the other scenes. The sandworms were a. mix of stop motion rod puppets and large. models. The Beetlejuice snake was also. stopotion and a large puppet head. Wilson said that the fly in the scene. where [music] Beetlejuice lures it into. the model was a very large puppet. But. after the movie came out, people thought. it was real and that they'd trained a. fly to do what they wanted. There were a. lot of scenes where the budget. limitations led to some iconic moments. For [music] instance, in the script, Beetlejuice was supposed to show his. terrifying face to the Maitlands and the. audience was also supposed to see it. But to save money, the filmmakers had.

the idea to show this moment only from. behind. So, we have to imagine what it. is that the Maitlands are seeing. The. exorcism/wedding scene was where they. pulled out all the tricks. It was done. with makeup and puppet effects on Adam. and Barbara. Dileia's art coming to life. was achieved with stop motion. And. Beetlejuice's rising carnival entrance. was filmed in real time with the actor. in makeup rising up with some cool. lighting. For the end scene with Lydia. levitating and dancing, they used. mirrors to make the football players. look ghostly and then hidden wires and a. very painful rig to lift up Ryder. A lot. of the dead in the afterlife were done.

using prosthetic puppet bodies with. actors simply putting their heads. through holes. Also, a couple of fun. facts. The saw and half magician's. assistant at the end was played by two. people. The torso that slaps Beetlejuice. was one actress. And the pair of legs he. feels up was played by artist Lena. Gaseki, who was Burton's girlfriend at. the time and would later go on to become. his wife. And the preacher creature who. presides over the wedding was voiced by. Jack Angel, a prolific voice actor known. for characters like Papa Smurf. But. inside the costume was Tony Cox, who. you'll know from movies like Bad Santa. and Friday. Test audiences for the film. initially found it a little bit.

confusing, especially one scene in which. Adam left his house and ended up in a. black void with huge clock gears all. around him. They also had grown to. really like Beetlejuice himself. throughout the movie and were worried. when he got eaten by the sandworm. Burton cut the clock gear scene, instead. focusing on the idea that when the. Maitlands leave their house, they get. transported to Saturn's Moon Titan, which is populated by sandworms. He also. added in the waiting room scene with. Beetlejuice at the end, so the audience. would know he was okay and they would. get one more laugh with him. The movie. was rated PG because the8s were crazy. I. go into the invention of the PG-13.

rating in my video essay on Gremlins, but basically after Gremlins and Indiana. Jones and the Temple of Doom came out, people realized that there needed to be. a rating between PG and R. And it's. maybe only because PG-13 was still a. somewhat new concept that Beetlejuice. escaped it. Beetlejuice opened on March. 30th, 1988 and earned over $8 million in. its first weekend. It grossed over $75. million worldwide and was officially a. hit with audiences and critics. The film. won three Saturn awards for best horror. film, best makeup, and best supporting. actress for Sylvia Sydney, who played.

afterlife caseworker Juno. It also won. makeup artists Veneil, Steve Leaport, and Robert Short Academy Awards for best. makeup. The character of Beetlejuice. doesn't show up in person to interact. with other characters until halfway. through the movie and was only on screen. for about 15 minutes of it. Katon and. Burton knew that his chaos and energy. would only work in small doses, and they. didn't want him to overstay his welcome. And it worked. Anyone who's set foot in. a Halloween costume store and seen that. black and white pinstriped suit in a. plastic bag can appreciate the legacy of. this film. It spawned a Saturday morning. cartoon developed by Burton that paired.

up Beetlejuice and Lydia as friends. having adventures together. I rewatched. it and it holds up. It ran for four. seasons and won a daytime Emmy. There. were also Beetlejuice video games, themed bars, a liveaction show at. Universal Studios, and a stage musical. that made headlines in 2023 because of. what Congresswoman Lauren Boowbert was. doing with her male companion in the. audience. For years, there was talk of a. sequel with scripts for the film. including ideas for Beetlejuice in Love. and Beetlejuice Goes Hawaiian, which was. inspired by the style and tone of the. Beach Blanket Bingo movies of the 50s. and 60s, but nothing materialized until.

September of 2024, 36 years after the. first film, when Beetlejuice Beetlejuice. was released. The studio wanted to. recreate the exterior sets on a sound. stage, but Burton refused and instead. went back to East Corinth, Vermont, where locals got to see movie history. being made for a second time. The sequel. also again used a slew of practical. effects instead of doing CGI or things. in post. It was made for under $und00. million and grossed $452 million. Over. the years, Beetlejuice has seeped into. every facet of pop culture. And in it, you can see shades of Burton's movies.

still to come. When Beetlejuice rises up. in the carnival scene towards the end of. the film, there's a little figure on the. tip of his hat that looks an awful lot. like Jack Skellington from Burton's The. Nightmare Before Christmas. The corpse. bride rising up during the exorcism has. a lot of similarities to scenes in. Burton's 2005 Corpse Bride. One of my. favorite pop culture Beetlejuice. inspired moments happens in the TV show. Community. Over the course of three. seasons, the characters, for one reason. or another, say the word Beetlejuice. three times. After the third time, Beetlejuice crosses in the background as. if summoned by hearing his name three.

times. Over the years, Burton worked. with a lot of the same people he worked. with on Beetlejuice. Oo's Glenn Shadex. was the voice of the mayor in Nightmare. Before Christmas and Senator Nat and. Burton's 2001 Planet of the Apes. O'Hara. returned for Beetlejuice Beetlejuice, but was also Sally and Shock in. Nightmare Before Christmas. She was also. in the theatrical length version of. Franken Weenie and several other Burton. projects. Ryder also came back for the. Beetlejuice sequel and was also in. Franken Weenie and Burton's Edward. Scissor Hands. Not an exhaustive list of. the collaborations Burton and the folks. on Beetlejuice took part in by any.

means, but you [music] get it. He likes. who he likes. There's been no word yet. on a third film in the series. But. Beetlejuice, Beetleju, Beetlejuice seems. like it would be a pretty sure thing to. me. But perhaps the film's most lasting. legacy is its effect on the superhero. genre. After the success of Beetleju, Warner Brothers was more willing to make. the Batman movie that Burton wanted. That film reunited Burton, writer Warren. Scarren, and Michael Keaton, whose. casting was so controversial that Batman. fans and producers alike all lost their. minds. But Burton knew he was the man. for the job, saying that Batman.

shouldn't be some muscled up, hyper. macho 80s action hero in the vein of. Arnold Schwarzenegger or Sylvester. Stallone. He should appear to the. outside world as an everyman. The movie, in Burton's opinion, should be about the. man, Bruce Wayne, not the superhero. Batman. 1989's Batman was a huge. financial and critical success, earning. $411 million on a $48 million budget. Before the film came out, Hollywood had. said that Batman as a property was dead. It came out at a time when superhero. films just weren't really being made. much. 1978 Superman was a success, but.

subsequent sequels underperformed and. left producers even more wary about the. genre than they were before. Batman's. darker, more gothic and stylized tone. gave superhero movies permission to be a. little bit silly, a little bit dark, and. a little bit funny. That was key to its. success. It helped pave the way for a. renewed interest in superheroes, eventually leading to the greenlighting. of movies like 1998's Blade, 2000's. X-Men, and 2002's Spider-Man. And none. of it would have been possible without. Beetlejuice. Let me know in the comments. what kind of horror movies you'd like to.

see us do next for spooky season. Big. thanks to Studio Tech Brian Kim and New. Rockstars editors Josh Herd and Abby Fel. and all the supporting editors. [music]. Follow me everywhere, Gina. Subscribe to. all channels in the New Rockstars. Network for breakdowns and news coverage. of everything you love. I'll see you in. the afterlife.